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 Afghanistan Center
 at Kabul University

States of injury : (Record no. 43354)

MARC details
000 -LEADER
fixed length control field 02492nam a22002897a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20180523111912.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180523b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0691029903
International Standard Book Number 069102989X
International Standard Book Number 9780691029894
040 ## - CATALOGING SOURCE
Transcribing agency ACKU
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
043 ## - GEOGRAPHIC AREA CODE
Geographic area code a-af---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number JA74.
Item number B769 1995
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Brown, Wendy,
Dates associated with a name 1955-.
245 10 - TITLE STATEMENT
Title States of injury :
Remainder of title power and freedom in late modernity /
Statement of responsibility, etc Wendy Brown.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Princeton, N.J. :
Name of publisher, distributor, etc Princeton University Press,
Date of publication, distribution, etc ©1995.
300 ## - PHYSICAL DESCRIPTION
Extent xiii, 202 pages ;
Dimensions 23 cm.
500 ## - GENERAL NOTE
General note Abstract: Whether in characterizing Catharine MacKinnon's theory of gender as itself pornographic or in identifying liberalism as unable to make good on its promises, Wendy Brown pursues a central question: how does a sense of woundedness become the basis for a sense of identity? Brown argues that efforts to outlaw hate speech and pornography powerfully legitimize the state: such apparently well-intentioned attempts harm victims further by portraying them as so helpless as to be in continuing need of governmental protection. "Whether one is dealing with the state, the Mafia, parents, pimps, police, or husbands," writes Brown, "the heavy price of institutionalized protection is always a measure of dependence and agreement to abide by the protector's rules." True democracy, she insists, requires sharing power, not regulation by it; freedom, not protection. Refusing any facile identification with one political position or another, Brown applies her argument to a panoply of topics, from the basis of litigiousness in political life to the appearance on the academic Left of themes of revenge and a thwarted will to power. These and other provocations in contemporary political thought and political life provide an occasion for rethinking the value of several of the last two centuries' most compelling theoretical critiques of modern political life, including the positions of Nietzsche, Marx, Weber, and Foucault.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Linkage Includes bibliographical references and index.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Contents: 1. Introduction : freedom and the plastic cage—2. Postmodern exposures, feminist hesitations—3. Wounded attachments—4. The mirror of pornography—5. Rights and losses—6. Liberalism's family values—7. Finding the man in the state.
546 ## - LANGUAGE NOTE
Language note English
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Political science – Philosophy.
Topical term or geographic name as entry element Power (Social sciences).
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Monograph
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type Public note
    Library of Congress Classification     Afghanistan Centre at Kabul University Afghanistan Centre at Kabul University 23/05/2018   JA74.B769 1995 3ACKU000529296 23/05/2018 23/05/2018 Monograph Donated by Liza Schuster.

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